Contents
ARTICLES
- Andrei Denisov
Secret Messages and Ciphers: The Phenomenon of Crypto Quotation in Musical Art (8–21)
DOI: 10.26156/OM.2022.14.2.001
- Lyudmila Makhova
“Three Songs of Altai Kerzhaks” in the Materials of the Ethnographic Section
of the State Musicology Institute (GIMN) and in the Recordings of 19–20th Centuries (22–81)
DOI: 10.26156/OM.2022.14.2.002
- Tatiana Tsvetkovskaya
Leopold Stokowski’s “Sound-Scores” (82–100)
DOI: 10.26156/OM.2022.14.2.003
DOCUMENTS
- Elena Sartakova, Elena Kulikova
The Saint Petersburg Conservatory in 1866–1868 (Based on the Report of the Russian Musical Society) (102–115)
DOI: 10.26156/OM.2022.14.2.004
- Anastasia Voitseshko
“Traveler’s Album” by Alexander Serov (116–131)
DOI: 10.26156/OM.2022.14.2.005
- Ekaterina Vlasova
“The Collective of Professional Composers” as the “Primary Cell” of the Union of Soviet Composers of the USSR (132–158)
DOI: 10.26156/OM.2022.14.2.006
REVIEWS
- Vladimir Gurevich
Tribute to Stravinsky (160–164)
DOI: 10.26156/OM.2022.14.2.007
Contributors to this issue (165–169)
Directions to contributors (170–171)